Photography at MoMA: 1960 to Now
| Author | : | |
| Rating | : | 4.58 (924 Votes) |
| Asin | : | 0870709690 |
| Format Type | : | paperback |
| Number of Pages | : | 368 Pages |
| Publish Date | : | 2017-07-26 |
| Language | : | English |
DESCRIPTION:
Elcott is Assistant Professor in the Department of Art History and Archaeology at Columbia University, New York.Eva Respini is the Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston, and a former Curator in the Department of Photography at MoMA.Robert Slifkin is Assistant
VAK said Excellent Book !. Excellent Book !. "This is the camera speaking" according to Robin. The This is the camera speaking The 330 photos, from 250 photographers, in the book provide a stimulating look at how this art form has progressed over the last few decades. The eight chapters each start with a four page essay looking at a particular aspect of photography, it cold be the body, documentary, performance or experimental then followed by examples from artists who specialize in their genre. I thought the range of material revealed in these images quite extraordinary and very wide ranging. Chapter eight covering experimental work has pictures made from film that might not have even been inside a camera: Marco Breuer's 'Pan' (2003) is scra. This is the camera speaking The 330 photos, from 250 photographers, in the book provide a stimulating look at how this art form has progressed over the last few decades. The eight chapters each start with a four page essay looking at a particular aspect of photography, it cold be the body, documentary, performance or experimental then followed by examples from artists who specialize in their genre. I thought the range of material revealed in these images quite extraordinary and very wide ranging. Chapter eight covering experimental work has pictures made from film that might not have even been inside a camera: Marco Breuer's 'Pan' (2003) is scra. 0 photos, from 250 photographers, in the book provide a stimulating look at how this art form has progressed over the last few decades. The eight chapters each start with a four page essay looking at a particular aspect of photography, it cold be the body, documentary, performance or experimental then followed by examples from artists who specialize in their genre. I thought the range of material revealed in these images quite extraordinary and very wide ranging. Chapter eight covering experimental work has pictures made from film that might not have even been inside a camera: Marco Breuer's 'Pan' (200This is the camera speaking The 330 photos, from 250 photographers, in the book provide a stimulating look at how this art form has progressed over the last few decades. The eight chapters each start with a four page essay looking at a particular aspect of photography, it cold be the body, documentary, performance or experimental then followed by examples from artists who specialize in their genre. I thought the range of material revealed in these images quite extraordinary and very wide ranging. Chapter eight covering experimental work has pictures made from film that might not have even been inside a camera: Marco Breuer's 'Pan' (2003) is scra. ) is scra. E. Guerra said Four Stars. really awesome pictures.
As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective to the most prominent artists working with the photographic medium of the late 20th and early 21st centuries. The Museum of Modern Art has one of the greatest collections of 20th-century photography in the world. The book begins with an in-depth introduction followed by eight chapters of full-color plates, each introduced by a short essay. Over 250 artists are featured, including Diane Arbus, John Baldessari, Jan Dibbets, Rineke Dijkstra, William Eggleston, Lee Friedlander, Louise Lawler, Zoe Leonard, Helen Levitt, Sigmar Polke, Cindy Sherman, Wolfgang Tillmans, Jeff Wall, Carrie Mae Weems, Hannah Wilke and Garry Winogrand, among many others.. At a moment when photography is undergoing fast-paced changes and artists are seeking
(The New York Times)Handsome and informative highly recommended. (Popular Photography on Campus)In publishing three volumes of photography history from its collection, The Museum of Modern Art in New York has decided to disrupt the traditional narrative. A book worthy of personal and collegiate libraries. What draws you into the book is the sheer variety of visual surprises, from iconic shots to obscure gems. (American Photo) . (Library Journal)A Who's Who of the contemporary masters of the form