Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers
| Author | : | |
| Rating | : | 4.14 (629 Votes) |
| Asin | : | 0823045293 |
| Format Type | : | paperback |
| Number of Pages | : | 256 Pages |
| Publish Date | : | 2016-06-19 |
| Language | : | English |
DESCRIPTION:
"The great big book of Ink and Pen know how." according to Edgar Fematt. This book was thicker than I imagined. It is chuck full of comparison methods on using simple details, to lighting via ink criss hatching on different parts of an object.Great for intermediate, advanced as it complements those who have already practiced with ink but want to know more.Its gotFocus study on pieces, pattern uses, differences, etcAside how picture or scene changes depending on what you focus the cross hatching onto.Cross hatch sample squares and lots to read up on in handling flow, and how to avoid cluttering a picture inc. If you like ink, you MUST buy this Amazon Customer Years ago, when spare time was still a reality for me, I used to draw birds and other animals in ink. I still love ink, maybe because I love the minutest details that it can express so well. The main reason why I purchased this book was not the text, and the pedagocical content, but the many splendid splendid illustrations from masters of the art. Still, I ended up also reading this book, even if I spent much more time admiring the illustrations. It is beautifully written, you immediately realize why this book has become an eternal "cl. "Brilliant book for any illustrator!" according to Stress. This book, published in 19Brilliant book for any illustrator! This book, published in 1930, was once out of print for a span, but has become a mainstay of illustration books since reprinted in the 1970's. While the average modern illustrator/comic artist would pick it up and think, 'Ew. Old Stuff', it provides all the necessities on how to arrange, light, crop, render and delineate objects.When I picked it up in art school I used it a bit, read it a bit and then forgot it because I went into an art form that didn't use illustrative technique as specifically shown in this book. Now, getting back i. 0, was once out of print for a span, but has become a mainstay of illustration books since reprinted in the 1970's. While the average modern illustrator/comic artist would pick it up and think, 'Ew. Old Stuff', it provides all the necessities on how to arrange, light, crop, render and delineate objects.When I picked it up in art school I used it a bit, read it a bit and then forgot it because I went into an art form that didn't use illustrative technique as specifically shown in this book. Now, getting back i
Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. Rosenberg, John Floyd Yewell, Chester B. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Chamberlain, Louis C. Guptill's classic Rendering in Pen and Ink has long been regarded
Meyer was born and raised in New York City. For over seven years, as managing editor of Watson-Guptill Publications, the company he co-founded, she compiled and edited his books. Born in Gorham, Maine, he graduated with a degree in architecture from Pratt Institute in 1912, and then studied at the Massachusetts Institute of Technology. Guptill was a freelance specialist in design, freelance advertising artist, and advertising agency consultant from 1916 to 1937. Ms. Susan E. Meyer has had a long history of involvement with Arthur Guptill
For over seven years, as managing editor of Watson-Guptill Publications, the company he co-founded, she compiled and edited his books. Susan E. . In addition, Ms. She is the author of over a dozen books and is currently the director of Roundtable Press, Inc. In that capacity, she also compiled, edited, and collaborated on a number of other books on w