Digital Visions for Fashion and Textiles: Made in Code
| Author | : | |
| Rating | : | 4.70 (769 Votes) |
| Asin | : | 0500516448 |
| Format Type | : | paperback |
| Number of Pages | : | 240 Pages |
| Publish Date | : | 2017-12-14 |
| Language | : | English |
DESCRIPTION:
” (Surface Design Journal) . Digital Visions for Fashion + Textiles offers persuasive proof that the exploration of computer applications for textiles is contributing to that expansion. “ The digital revolution has released a universe that keeps expanding
Digital Beauty That's Anything But By The Numbers This book is a unique and insightful foray into the digital realm of fashion and textiles. The text is rich and informative of past, present, and future eras, providing rare computing insights that many would never know. The illustrations are incredible, ranging from images that could only have been produced by the lost technology of a bygone digital time to others simultaneously of-the-moment and timeless. The cover photo of 3D-p. Five Stars This book should be a required text for aspiring fashion designers.
From its punch-card origins, code has evolved to define and enable new methods in design, making, visualization, production and communication, achieving the previously unimaginable. Digital Visions for Fashion + Textiles: Made in Code considers how computing has reinvented image, material and structural processes, highlighting newly advancing 2D, 3D and interactive output. Digital and analogue fusions are defining new contexts for the innovative fabrication of surfaces, products and environments. Twenty-two of the most forward-thinking practitioners, established and emerging, who have embraced developing digital technologies are profiled. Featured are household names, such as Hussein Chalayan, Prada and Issey Miyake, early pioneers (Vibeke Riisberg, Peter Struycken) and more independent, avant-garde individuals (Iris van Herpen, Casey Reas, Tom Gallant). 429 color illustrations. Complete with a reference section and bibliographic information, this unique and richly illust
. Sarah E. A recipient of the prestigious National Endowment for Science, Technology and the Arts Fellowship she was previously co-founder and director of the Textile Futures Research Centre and a Reader in Digital Textile Design Media at Central Saint Martins College of Art and Design, London. Braddock Clarke is a consultant/curator and Senior Lecturer in Fashion Design and Performance Sportswear Design at University College Falmouth. She has co-auth